"Closer to Winter," Oil on Canvas, 20x20inches, ©Lynn Goldstein
Most people don't realize how difficult this making art business can be. To let you inside, here's a blow-by-blow account of a recent challenging painting experience I have been slamming my head against.
First of all, let me say that I love what I do. I am particularly fortunate to be able to make things for emotional uplift and (sometimes) financial gain. That said, not all paintings are created equally. Some, though very rare, are what I refer to as "hole-in-one" paintings. This description is derived from my years of playing golf. When someone gets a hole-in-one it appears effortless. Those paintings bearing that description just seem to spring forth from some internal well of talent that goes into hiding as quickly as it appears. In other words, they are rare.
Most recently, I have been painting feverishly in anticipation of a solo exhibition that I will be having in June (one of the paintings to be included is above). The work has been going smoothly. No hole-in-one paintings, but work with a minimum of angst attached to the experience. Not so for the most recent piece.
Value sketch of painting before my start
I started the painting as I almost always do. I went for a hike in the woods near my home. The day was beautiful, unseasonably warm, and pleasant. I took a multitude of resource photographs, excited at the prospect of revisiting the scenes in my work. After careful selection of the photograph, I made a value sketch (above). A value sketch is simply a black and white version of what I see. I can understand the composition, and better visualize how I am going to make the painting.
Trouble started to rear its ugly head right away, but I didn't see it coming. You see, I didn't pay enough attention to my value sketch, instead getting tied up with I don't even know what. I continued painting, thinking with each step along the way that I had finally found the solution to reel me back into comfortable territory. Didn't happen.
What would you do in a situation like that? I'll tell you what I did, and maybe you can use some of the the same techniques when you run into what appears to be failure.
1. I ripped the offending canvas off my easel and started two other oil paintings by staining the surfaces of two canvases, and for good measure, started an abstract pastel painting.
Here's the oil underpainting to start another painting. An artist's version of getting back on the horse after being thrown, with the added benefit of no blunt force injuries.
2. To add more salve to my wounds, I hi-tailed it home and went for a walk in the woods before the predicted cold front blew into town. Once I was among my trees, I could decompress and enjoy the rest of my day, and come into the studio the next day with a fresh perspective.
By using acetate over the painting, I can visualize whether a change will enhance or harm the final piece.
3. To see if what I had been envisioning as a correction would work, I put acetate over my painting. This is a great tool for making changes without commitment. I think that this change will work. It opens up the composition and helps lead the viewer into the picture plane. That said, this painting is still in time out in the corner of my studio where it will remain indefinitely while I work on other pieces that don't require multiple trips to a psychologist to improve!
I hope these ideas give you fuel for thought when you smack up against a failure. Please share your antidotes for trouble in the comments below. Solutions are always nice to have!
This is Summer Solstice #2, 24x24 inches, Oil on Canvas, ©Lynn Goldstein $1700
For some reason, this painting reminds me of my maternal grandmother. While working on the piece, I felt the warmth of my Mimi's embrace. I hope that my art provides a warm "hug" for you today and in the future.
Since one of my goals as an artist (and a human being) is to touch people in a positive way with my artwork, I am always happy when I hit the mark. People say that my art makes them feel calm and peaceful.
An easy way to touch people we care about in a positive way is to give them a hug.
This coming Sunday is National Hug Day. Now, I love holidays, and the sillier the holiday the better. I can really get behind a holiday that celebrates hugging.
Studies have shown that there are multiple benefits of an embrace. Hugs cause the brain to release endorphins which leads to better healing throughout the body. Deprivation of a kind human touch can delay development in children. Good heavens, hugs can even lower your blood pressure. Guess what, it helps if you hug a tree too! Now, you KNOW that I can get behind that.
Here's a pic of my son who knows the healing power of a good hug. He is with his lifelong friend. They always hug one another with joyous abandon, and it warms my heart.
Here I am with my sweet little mom. She always understood the healing power of a hug, and would drop what she was doing if she knew that I needed one.
What are you waiting for? Go give a loved one a hug and reap the benefits. Do you agree with me? Are you a hugger or a touch-me-not? Let me know in the comments below.
Happy to have you here. This is where you will see work in progress, tips about making art, seeing art, and enjoying art. You will also see ways to live a more joyous life.
Want to learn more about my upcoming workshop in Italy, October 5-12, 2019? Click here.